「住進一片安靜裡」新加坡 Studio Metanoia 以金屬、光線與留白，打造凝練的極簡住宅：「Minimal Liminal」

 

Photo Credit: Marcus Ip

 
 

當一個空間不過度琢磨時，反而能讓人感受到更多。這樣的力量，我們能在位於新加坡的「Minimal Liminal」住宅中深刻感受。面積約 25 坪的住宅空間，在設計團隊介入之前，設計師描述，它就和這座城市裡無數的公寓沒有兩樣，乾淨、明亮、功能齊全，然而缺乏個性，也難以提供任何情緒感知。

操刀改造的 Studio Metanoia 是新加坡當地一間以情感為設計核心的室內設計公司。Metanoia 在希臘文中意指心智與心靈的根本轉變，他們相信空間不只是物理條件的安排，更應該回應居住者內在真實的感受需求。這套被他們稱為「Feeling First」的設計思維，讓每一個案子的起點都來自一個問題：你想在這裡感受到什麼？

 
 

  • When a space is not over-designed, it surprisingly allows us to feel more. This very power can be profoundly felt within the "Minimal Liminal" residence in Singapore. Before the design team's intervention, this 80-square-meter apartment was described by the designer as being no different from countless others in the city: clean, bright, and fully functional, yet devoid of character and incapable of evoking any emotional resonance.

    The transformation was helmed by Studio Metanoia, a Singapore-based interior design firm that places emotion at the core of its practice. "Metanoia," a Greek word denoting a fundamental shift in mind and spirit, reflects their belief that a space is more than just the arrangement of physical conditions; it must respond to the occupant's true internal emotional needs. This "Feeling First" design philosophy ensures that every project begins with a single question: What do you want to feel here?

 
 

Photo Credit: Marcus Ip

 
 

「Minimal Liminal」屋主的答案很明確。由於生活長時間處於高壓且需要精密判斷的工作節奏裡，他渴望的是一種歸位的狀態。空間的邊界被消弭，門和收納機能都隱入牆體，每一樣東西安然有序地待在應有的位置上。內部安靜到幾近無聲，使得思緒能在寧靜氣息下被重新整理。

為了實現這樣的寧靜，Studio Metanoia 訂下高度收斂的色彩基調：低彩度的白、冷調的灰、與近乎墨色的黑。三個色階構成所有視覺體驗的底景，沒有跳色、也沒有裝飾性的材料穿插，每一道牆面的色溫和軸線的交界及收邊，皆確保目光不被任何多餘訊息給拉走。

 
 

  • The homeowner of "Minimal Liminal" had a clear answer. Living amid a high-pressure work rhythm that demands precise judgment, what they craved was a state of realignment and return. Spatial boundaries have been dissolved, doors and storage functions recede into the walls, and everything rests peacefully in its rightful place. The interior is so quiet it is almost soundless, allowing thoughts to be reorganized within an atmosphere of utter tranquility.

    To achieve this serenity, Studio Metanoia established a highly restrained color palette: desaturated whites, cool-toned greys, and an almost ink-like black. These three tonal tiers form the backdrop for all visual experiences. There are no contrasting accent colors or decorative material interruptions; the color temperature of every wall, as well as the intersection and finishing of every axis, ensures that the gaze is never distracted by superfluous information.

 
 

Photo Credit: Marcus Ip

 
 

Photo Credit: Marcus Ip

 
 

不被打斷的空間感，是支撐起 Minimal Liminal 最核心的起居體驗。空間選用微水泥（microcement 環保無縫塗料）的無接縫地面，鋪開一整張完整的灰色畫布，從客廳流動到餐廳，再延伸進走廊。帶有一層細微霧面光澤的表層，柔和地捕捉空間的光線變化，再將它散射出去。藉此讓 25 坪的空間在視覺上更延伸開闊且具備流動感。

設計師使隱藏式門片與牆面齊平，關閉時完全融入牆體。收納方面也依循同樣的規劃邏輯，將所有儲物空間整合進牆面和量體之中，不留任何外露的痕跡。於是居住者能感受到一份不被打擾的心意，亦呼應著 Studio Metanoia 所述：「因為每一處「少」的背後，都有明確的意圖，所以裡頭每一個細節，都反映出有意識的極簡生活態度。」

 
 

  • An uninterrupted spatial flow forms the core living experience of Minimal Liminal. The space utilizes seamless microcement (an eco-friendly, jointless coating) flooring to unfurl a continuous grey canvas that flows from the living room into the dining area, and extends further down the hallway. Its surface, finished with a subtle matte sheen, softly captures the shifting light within the space and diffuses it outward. This allows the 80-square-meter apartment to feel visually expansive and imbued with a distinct sense of fluidity.

    The designers ensured that the concealed doors sit flush with the walls, blending completely into the architecture when closed. Storage follows the exact same planning logic, with all cabinetry integrated directly into the walls and architectural volumes, leaving no visible traces behind. Consequently, the inhabitants experience a profound sense of undisturbed tranquility, perfectly echoing Studio Metanoia’s philosophy: "Because behind every instance of 'less' lies a clear intention, every detail within reflects a conscious attitude toward minimalist living."

 
 

Photo Credit: Marcus Ip

 
 

這個家一個絕對的視覺焦點，無非是座落餐廳的不鏽鋼餐桌。這張桌子是由 Studio Metanoia 與在地金屬工藝品牌 Baremetal 共同設計製作。Baremetal 是間由第二代接手經營的金屬工坊，長期致力於為傳統金屬加工並注入當代設計的思維。採用髮絲紋不鏽鋼處理的桌面，保留加工過程中形成的細密紋理，隨著光線角度的改變，會在冷銀與暖灰之間游移出微妙的色差。帶有銳利的折角與斜切面的桌腳，讓整張桌子同時具備家具的使用性與雕塑的存在感。

金屬表面映照著周圍一切，白牆、黑色椅背、窗外透進來的光，都在桌面上形成一層模糊而流動的鏡像。輕與重、虛與實的感受，在同一樣物件上和諧並存。

圍繞在餐桌旁的座椅，則是整個空間裡最值得細讀的選配。比利時設計師 Maarten Van Severen 為 Vitra 設計的 .05 Chair 和 Verner Panton 的 Panton Chair。這兩張經典名椅，都是懸臂椅，都捨棄傳統的四腳結構，同樣回應著一件事：一條連續的線，如何成為一張椅子？

 
 

  • The absolute visual focal point of this home is undoubtedly the stainless steel dining table. It was co-designed and crafted by Studio Metanoia and local metalworking brand Baremetal—a second-generation workshop dedicated to injecting contemporary design thinking into traditional metalwork. The hairline stainless steel tabletop retains the fine textures formed during fabrication; as the angle of light shifts, it reveals subtle chromatic variations oscillating between cold silver and warm grey. With its sharp folds and beveled legs, the table possesses both the utility of furniture and the presence of a sculpture.

    The metallic surface mirrors its surroundings—the white walls, the black chair backs, the light filtering in through the windows—all forming a blurred, fluid reflection on the tabletop. Sensations of lightness and weight, the ethereal and the solid, coexist harmoniously within this single object.

 
 

Panton Chair．Photo Credit: Marcus Ip

.05 Chair．Photo Credit: Marcus Ip

 
 

Panton Chair 選擇徹底的有機，流動的曲面、無接縫的整體、塑料帶來的溫潤觸感；.05 Chair 則走向幾何的理性，直線與平面的精密組合、金屬與發泡的異材質並置。Studio Metanoia 將它們安排在同一張桌子旁，就像進行一場跨越四十年的安靜對話，關於椅子可以是什麼，也關於設計如何在截然不同的時代語境下，同樣協調出令人感到舒適且歷久的狀態。

 
 

  • The seating arranged around the dining table stands out as the most carefully curated selection in the space: the .05 Chair by Belgian designer Maarten Van Severen for Vitra, and Verner Panton’s iconic Panton Chair. Both design classics are cantilevered, discarding the traditional four-legged structure to answer the same fundamental question: How does a single continuous line become a chair?

    The Panton Chair embraces absolute organicity—fluid curves, seamless continuity, and the warm tactility of plastic. The .05 Chair, conversely, leans into geometric rationality—a precise assembly of lines and planes, juxtaposing the disparate materials of metal and polyurethane foam. By placing them around the same table, Studio Metanoia stages a quiet dialogue traversing four decades: a conversation about what a chair can be, and how design can, within entirely different historical contexts, harmonize into a state of enduring comfort.

 
 

Photo Credit: Marcus Ip

 
 
 
 

在 Minimal Liminal 裡，白、灰、黑是三種被明確選定的材料語言，設計師刻意應用光線的變化，讓這些材料活躍起來，並且展現出雙重的面貌。設計師在描述這個空間時提到，光與材料的互動為空間帶來一種「ethereal quality」，一種超越物質表面的、近乎懸浮的空間感受。整個家在白天時，處於一種清冽而通透的狀態，彷彿物件都微微漂浮在光裡。

到了夜晚，嵌入式的可調光燈具從天花板和隙縫處發散溫柔的暖光源，同一組材料在不同的光線條件下，各自展現完全不同的質感與情緒。白天的清冽就此被一層暖色光暈所取代，空間也從冷調的沉思，轉入溫和的棲息。

 
 

  • Within Minimal Liminal, white, grey, and black are the three definitive material languages. The designers deliberately harness shifting light to animate these materials and reveal their dual nature. When describing the space, the designers noted that the interplay of light and material lends the interior an "ethereal quality"—a near-levitating spatial sensation that transcends physical surfaces. By day, the entire home exists in a state of crisp clarity, as if objects are faintly suspended in the light.

    As night falls, recessed dimmable fixtures emit gentle, warm glows from the ceiling and architectural crevices. The very same palette of materials reveals entirely different textures and moods under altered lighting conditions. The crispness of the day is replaced by a halo of warmth, and the space transitions from cool contemplation to a gentle haven for rest.

 
 

Photo Credit: Marcus Ip

 
 

Photo Credit: Marcus Ip

 
 

Minimal 是人們第一眼就能感受到的事情，在你走進去的瞬間，毫無多餘的清朗便迎面而至。而 Liminal 意指著門檻之間的過渡，一種從此處到彼處的轉換。Studio Metanoia 在「Feeling First」的設計框架下，將這兩種意識主軸拿捏到一個恰到好處的位置。從城市的喧雜到室內的寧靜，從白天的冷冽到夜晚的溫暖，有機與無機物的對應和並存，空間始終處於兩種狀態之間，而它的力量，恰來自於不急著抵達任何一端。

 
 

  • "Minimal" is what one feels at first glance; the moment you step inside, a pristine clarity devoid of excess greets you. "Liminal," on the other hand, signifies the transition between thresholds, a shift from one state to another. Within their "Feeling First" design framework, Studio Metanoia balances these two conceptual pillars to perfection.

    From the clamor of the city to the stillness of the interior, from the cool crispness of day to the warmth of night, through the interplay and coexistence of the organic and the inorganic—the space perpetually resides between two states. Its true power stems precisely from the fact that it is in no rush to arrive at either end.

 
 
 
 

Design/ Studio Metanoia
Photography by Marcus Ip
Text/ ChichiL

 
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