「關於邊界與感知的居住實驗」folistudio 在伊斯坦堡的森林住宅翻玩藝術與色彩：ZTP House

在土耳其伊斯坦堡北端，一片橫跨歐亞板塊的森林，沿著黑海蜿蜒延伸，留存著原始而純粹的生態地景。步入其中，葉片摩挲的細響與風穿過枝枒的低語，逐漸取代了遠方城市的喧囂。ZTP House 便坐落於這片蔥鬱林界邊緣。

屋主委由駐點於里斯本與伊斯坦堡的室內設計雙人組 folistudio，為一家五口與愛犬 Tokyo，打造一處被綠林溫柔包覆的棲所。

面對這片茂密的原始林相，建築與環境的關係成為了設計思考的核心。folistudio 嘗試在人造結構與自然地景之間，建立一種和諧的共存狀態。他們不刻意追求建築的隱沒或張揚，而是透過精確的幾何構造，在結構與柔軟、精確與自然之間，找到了一種寧靜的平衡，讓建築既是獨立存在的庇護所，亦是通往森林的觀景窗。

In northern Istanbul, a sweep of forest runs along the Black Sea, preserving a terrain that still feels raw and unguarded. Step inside and the city falls away. Leaves brush against each other, wind threads through branches, and the soundscape shifts from distant traffic to something quieter, closer. ZTP House sits at this wooded edge, where daily life meets a dense green horizon.
The homeowners commissioned folistudio, the Lisbon and Istanbul based interior design duo, to shape a home for a family of five and their dog, Tokyo. With the forest as both neighbour and backdrop, the project centres on a single relationship: how the built and the natural can hold their ground together. folistudio does not chase invisibility, nor does it assert itself over the site. Instead, the house is calibrated through precise geometry and softened through material and form, becoming at once a place of refuge and a clear window onto the trees.

這份平衡的具體實踐，始於建築師對於空間平面的大膽重塑。folistudio 採用鑽石形的平面配置（Diamond-shaped plan），藉由幾何形狀的發展，專注在人們視角與光線路徑的精密運算。

有別於傳統方正格局的靜態邊界，菱形切角的延展特性，打破單一立面的限制，反而以更具動態感的獨特角度，重新梳理室內生活與森林邊緣的接觸介面。內部彷彿一顆經過精密切割的晶體，精準劃分周遭綠意，並透過落地玻璃帷幕的通透設置，將森林的光影與四季一口氣收納進室內。自然光隨著太陽軌跡的推移，層層引導至居所的最深處。窗外恣意蔓延的林相，被裁剪成一幅幅流動的畫作。也讓安居於此的人們，依靠這份線性框架，確立清晰而有機的生活座標。

A plan that redirects light and sight
That balance begins with a bold reworking of the plan. folistudio adopts a diamond shaped layout, using its angled geometry to sharpen sightlines and choreograph how light travels through the interior. Where a conventional orthogonal plan can flatten the experience into a single static elevation, the diamond form opens multiple points of contact with the forest edge. The house meets the landscape from shifting angles, continually re framing the threshold between indoors and out.
Inside, the space reads like a carefully cut crystal. Greenery is edited into view, then gathered in floor to ceiling glazing that draws the forest’s light and seasons into the home. Daylight follows the sun’s path and is pulled deeper into the plan, while the woodland beyond, restless and expansive, is cropped into moving pictures. For the family, these linear frames give everyday life a quiet clarity and an easy sense of orientation.

結構的雕塑性轉譯

順著光線的路徑步入室內，folistudio 將理性的結構邏輯，轉譯為充滿張力的藝術展演。踞於房屋中心位置的懸浮書架，無疑是這場展演的視覺重心。設計師大膽以刷紋金屬的冷冽線條結合清透的玻璃材質，構建彷彿掙脫地心引力的輕盈量體。這座書架除了擔任區隔垂直動線的介質，更如一座立體的微型藝廊，恰如其分地展示屋主珍藏的公仔及藝術書籍。冷硬纖細的金屬框架與溫潤的紙本質感形成對話，為冷冽的架構注入不少生活的溫度。

此外，支撐功能的柱體也迎來嶄新樣貌。folistudio 以圓潤的有機量體與飽和色澤，將這些承重構件從牆體中解放，化身為定錨視覺的「雕塑錨點（Sculptural Anchors）」。這些柱體彷彿樂譜上的音符，在開放的菱形平面界定出隱形節奏；它們暗示著場域轉換，在維持視野通透的同時，也劃分出心理層面的領域感，譜寫獨有的行進韻律與呼吸感。

Structure, treated as display
Follow the light inward and the house reveals its most deliberate gesture: a floating shelf at the centre of the plan. It anchors the eye immediately, a piece that reads as both structure and exhibition. Brushed metal lines meet clear glass, forming a presence that feels weightless without becoming fragile. Beyond its role as a vertical connector between zones, it works as a compact gallery for the owners’ collectibles and art books. The cool precision of the metal frame is softened by the warmth of paper and objects, bringing a lived in ease to what could have been purely graphic.
Supporting columns are given similar attention. Rendered with rounded volumes and saturated colour, they move beyond utility to become visual anchors within the open diamond plan. They signal subtle shifts between areas without interrupting the sense of openness, establishing psychological boundaries while keeping the sightlines clear.

藉由大膽的色彩調配添加鮮明性格

「色彩」是流動於 ZTP House 的關鍵元素，為空間挹注感性靈魂。folistudio 以橡木、亞麻與塗料等天然材質，構築一層柔和且富有觸感的中性基底，為室內奠定溫潤的底蘊。而後，大膽置入鈷藍色與赤陶色兩種高飽和度的視覺焦點，讓它們如一條看不見的線，貫穿全室，將生活的片段串接起來。

就設計團隊看來，這是一場關於「物質性」的精密實驗。他們透過調度材質的反射率，讓同一色彩在不同介質間跳躍、變形 — 在光線的作用下，產生截然不同的情緒濃度與觸感層次。鈷藍與赤陶在空間不斷變奏，於各個場域迴盪出豐富的感官共鳴。

客廳亮面光澤的鈷藍色櫃體，彷如一方深邃的液態鏡面，將窗外搖曳的綠意液化並封存於表面，帶來鮮明的現代感。然而轉入臥室，同樣的藍滲入木頭紋理深處，隨著染色木皮的吸收與呼吸，轉化為溫潤而有機的觸感。赤陶色亦然。它時而是結構柱上光滑亮眼的烤漆，時而化作編織單椅上粗糙溫暖的織紋。色彩在材質間的每一次著陸，都帶來全然不同的感知體驗。

Colour as a thread through the house
Colour runs through ZTP House as its defining thread, adding character to a calm, tactile base. Oak, linen and painted finishes build a neutral foundation with a softened grain and warmth under hand. Against this, folistudio introduces two high saturation accents, cobalt blue and amber, as visual punctuation. They appear across rooms like an invisible line, tying separate moments of daily life into a single continuity.
The effect is less about decoration than material study. By adjusting reflectivity, the same hue shifts as it lands on different surfaces, changing temperature and texture under light. In the living room, a glossy cobalt cabinet reads like a deep liquid plane, catching the movement of the trees outside and sharpening the room’s contemporary edge. In the bedroom, the blue sinks into timber grain, softened by the absorption and breath of stained wood. Amber follows a similar logic, appearing as lacquer on a column, then returning as a coarser weave on a chair, warmer and more tactile. The colour remains consistent. The feeling does not.

以有機的流動感馴化空間銳角

儘管菱形平面以銳利的幾何線條界定格局，當身體真正沉入其中，感受到的卻是如繭般的溫柔包覆。這份柔軟來自 folistudio 刻意引入的曲線，它們像一股潛流，結構柱被轉化為圓潤的支點。曲面木質屏風以波浪般的律動，輕柔劃分臥室與化妝間。過道上，綠色大理石與木地板的地面交界也捨棄直線，改以平滑的弧線銜接；連收納櫃體的收邊也一併打磨圓潤，消解轉折處的生硬感。

Softening the geometry
Although the plan is defined by sharp angles, the lived experience is cocooning. This softness comes from curves introduced with intention, running through the interior like an undercurrent. Columns become rounded supports. A timber screen undulates gently to separate the bedroom from the dressing area. Even the junction between green marble and timber flooring avoids a straight seam, resolving instead in a smooth arc. Storage edges are similarly refined, easing the bite of corners and keeping transitions quiet.

家具則化身為動態的有機島嶼。客廳中央那張如雲朵般延展的弧形沙發、形似豆莢的絨面躺椅，以及散落各處如卵石般的茶几 …… 每一物件皆以圓潤的輪廓，回應著建築體的剛性。正因這些柔性的轉折，居住者方能獲得最深層的放鬆，感受何謂溫潤的觸感。

Furniture continues this language. A cloud like curved sofa, a velvet chaise with a pod like profile, and pebble shaped side tables form a constellation of organic islands, each echoing the building’s softened contours. These pliant turns support deeper rest, reinforcing the home’s tactile welcome.

內外、人與自然的完整契合

內與外的張力，最終在受日式美學啟發的景觀設計中達到了精神上的合一。戶外那方靜謐的水景與原石配置，以「借景」的東方哲思，將森林的深邃綠意引入建築的視覺框架。當水面的波光映射在赤陶色的石材上，當風吹過池面泛起的漣漪與遠方林梢的搖曳相互呼應，視覺的界線隨之消融。

Where inside and outside begin to blur
The tension between interior and exterior settles through a landscape concept informed by Japanese aesthetics. A quiet water feature and natural stone arrangement draw on the idea of borrowed scenery, pulling the forest’s depth into the home’s visual frame. Ripples throw light onto amber toned stone. A breeze moving across the pond seems to answer the sway of treetops beyond. The boundary of the view loosens.

室內與戶外非二元對立的存在，它們透過光影、材質相互呼應，織成一張細膩的感知之網。

ZTP House 安靜觀測著森林的每一次呼吸，生長、凋零、再生。不過度隱沒存在，也非強勢佔領，以謙遜的姿態，成為森林敘事中的一個章節。於是居住本身成為一場持續進行的冥想 —— 關於人與自然如何共處，關於空間如何盛載生活的重量與輕盈。

Instead of drawing a hard line between inside and out, the house lets them overlap. Light moves across surfaces, and materials pick up what the landscape is doing outside. As the forest shifts through growth, fading, and return, the home responds in small ways rather than grand gestures. It neither disappears into its setting nor competes with it. It simply holds its place, making room for everyday life to sit alongside nature.